Vinceron


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TRACKLIST:

A1  Special
A2  B.A.B.E.
A3  Fantasy
A4  Not Hell, Not Heaven
A5  Tonight (I'm Afraid)
B1  Fleshed Out
B2  Let You Down
B3  Cellophane
B4  Suffer The Fool (How High Are You?)
B5  Haunted

B6  Are We All Angels



Fan Pack Includes:
- Scowl 'Are We All Angels' LP on Frosted Blue Vinyl
- Scowl 'Are We All Angels' Exclusive T-shirt


Scowl is a band that sounds exactly like their name implies. Venomous, fierce, antagonistic. A sneer not to be crossed. Over the last five years, the Santa Cruz, California, band has firmly planted their flag in the hardcore scene with their vicious sound and ripping live show, sharing stages around the world with Circle Jerks, Touché Amoré, and Limp Bizkit, and filling slots at prominent festivals like Coachella, Sick New World, and Reading and Leeds. But with their new album, Are We All Angels (Dead Oceans), Scowl is aiming to funnel all that aggression through a more expansive version of themselves.


Scowl formed in 2019, after vocalist Kat Moss, a Bay Area scene regular with no prior musical experience, connected with guitarist Malachi Greene and drummer Cole Gilbert at the legendary Berkeley venue 924 Gilman the previous year. They soon recruited bassist Bailey Lupo, and later completed their lineup with the addition of guitarist Michael Bifolco in 2022. After self-releasing a pair of hard-hitting demos and playing local shows, Scowl became deeply immersed in the scene, coming up with a rising group of bands like Drain, Sunami, and Gulch.


Much of Are We All Angels grapples with Scowl’s newfound place in the hardcore scene, a community which has both embraced the band and made them something of a lightning rod over the past few years. Standout single “Not Hell, Not Heaven” outright rejects the narratives cast onto them by outsiders. “It’s about feeling victimized and being a victim, but not wanting to identify with being a victim,” explains Moss. “It’s trying to find grace in the fact that I have my power. I live in my reality. You have to deal with whatever you're dealing with, and it ain’t working for me.” The band breaks from a sense of disassociation to seek deeper connections on “Fantasy.” “It’s incredibly challenging to try to balance my love for the scene while also feeling, in some spaces, extremely alienated and hated,” Moss says. “‘Fantasy’ is about feeling like I don't know how to connect with these people anymore, because I have shelled myself away so hard.”


Are We All Angels is an album marked by alienation, grief, and the loss of control. “Control is unfortunately part of the feminine experience in rock music and in a fairly male-dominated scene,” says Moss. “You have to be hot and sexy, but not too sexy because that’s slutty. You want to be strong and talented, but don’t show yourself off too much because that’s embarrassing and cringe. That side of control really balls you up and tosses you across the room constantly, and it pisses me off.”


The album ends in a philosophical place on the closing, titular track, “Are We All Angels,” asking questions like, “Is this all there is?” and ultimately putting it on the listener to decide. “It’s about the personal struggle between good and evil. It doesn’t matter how ‘good’ or ‘bad’ you are, there are systems that will try to rewrite your narrative no matter what you actually do,” explains Moss, noting that punctuation on “Are We All Angels” has been deliberately omitted in an attempt to leave the statement open-ended. “The reality is, you aren’t defined by your feelings. You are defined by what you do and how you treat people and connect with the world.”


Are We All Angels is the highly anticipated follow-up to Scowl’s debut, 2021’s How Flowers Grow, a 16-minute primal scream over punishing riffs. But amidst the pounding chaos, it was the record’s sonic outlier, a cleaner interlude called “Seeds to Sow,” that, true to its name, planted the seed for what was to come for the band. “It kind of laid out this destiny for us, and I feel like now we’re fulfilling that,” says Gilbert. The band continued to expand their sound on 2023’s widely acclaimed Psychic Dance Routine EP, incorporating more pop hooks and favoring gentler singing over heavy screaming, paving the way for what would come next.


At every turn on Are We All Angels, the band explores ambitious new directions and bends genre norms. Moss makes the most immediately noticeable evolution, dropping some of the gnarling bite of the band’s previous work in favor of a more textured and sometimes delicate approach. She flexes harmonies and melodic sensibilities that might surprise even the most dedicated Scowl fans. Moss cites a wide array of influences outside the realm of hard rock—everything from Billie Eilish to Radiohead, Car Seat Headrest to Julien Baker. “The majority of us were really not proficient musicians when this band started,” she admits. “It was very Germs-esque in that way, like baby’s first hardcore band, which is awesome. But now, we still might not know what we’re doing, but we have a better idea of what we want to do.”


Scowl’s growth got a huge boost from producer Will Yip (Turnstile, Title Fight, Code Orange, Balance and Composure), who broadened the band’s scope. “Will would say, ‘Everything you have here is correct, but it’s in the wrong place,’” says Gilbert. Moss adds: “Will really helped restructure a lot of the material. Some songs he tore apart to make more space for the really good hooks and choruses.”


But even through this more eclectic approach, Scowl loses none of their edge, and still manages to convey the anger and frustration that lies underneath. They are deeply committed to carrying the ethos of punk and its sense of community. “Hardcore and punk have sculpted how we operate, what we want to do as a band, and how we participate,” says Greene. “At our core, we are a punk and a hardcore band, regardless of how the song shifts and changes.”






Customer Code Of Conduct: If you are rude to our staff, we will assume you wish to cancel your order. If you file a case, but say "I still want it," we will just refund you and you are welcome to purchase it again if you'd like. We offer good pre-order pricing for patient customers. Being aggressive ultimately makes transactions take longer. Everything we get goes out the day we get it. Logistics in music isn't fun for you or us. We do our best to communicate the latest known dates, but some of you like artists who are challenged at getting their stuff out on time. We get that.
Do we make mistakes? Of course, but it's fewer than 0.5% of orders. And when we do, we fix it.





Shipping



All orders over $100, signed covers, and box sets are shipped in whiplash or better boxes. We use bags unlimited mailers for all other vinyls. We NEVER use the 12x12x.5 mailers the college gotta sell to pay the credit card boys use.
We ship worldwide using DHL. It should takes 2-5 days to most countries. Reminder, DHL will charge you respective duties on the shipment.  We only seek to charge actual shipping cost. If you think it's too high, let us know.
Standard shipping is to US is free. If it's not, email us to ask why. It might be a mistake.
Need this in a hurry? Before 2PM, we offer same day UPS/Fedex 2 day shipping on Shipping for $12 to 99% of the US. We are based out of Seattle so 99% of shipments to WA/Oregon before 2PM will be in your hands in 2 days.  If you're within in Western Washington, most packages are received next business day.
In Even more of a hurry? UPS next day saver is $40 to most locations. 

Most ground packages to Nevada/Colorado, Norcal, Oregon, Idaho, and WA are 2-3 days 
Arizona is usually 3-4. 



Customer Code Of Conduct: If you are rude, entitled, or constantly pester our staff, We will assume
you wish to cancel your order. If you file a case, but say "I still want it.", we will refund you and you can
buy it again at current market prices.  We offer good preorder pricing for patient customers and being aggressive
actually makes things take longer.  Everything we get goes out the same day.  Logistics in music isn't fun for you or us.
Artists are slow and do things on their terms.  We do our best to put reasonable dates up, but some of you like artists who are
challenging at getting their stuff out on time. We get that.

Do we make mistakes? Of course, but it's less than .5% of orders


Returns
Returns accepted within 60 days for any reason as long as it's returned in it's original condition.